Week 7: Study Elaborations
March 19
Renee Gladman, The Ravickians (Dorothy: 2011)
Renee Gladman, Ana Patova Crosses a Bridge (Dorothy: 2013)
Books are in Thorp (in McCosh). Since these arrived late, don’t worry about reading before class.
Fred Moten and Wu Tsang, “Who Touched Me?” (If I Can’t Dance, I Don’t Want to Be Part of Your Revolution: 2016)
Evie Shockley, “On Seeing and Reading the ‘Nothing’: Poetry and Blackness Visualized,” New Literary History (2019)
Sampada Aranke, “Material Matters: Black Radical Aesthetics and the Limits of Visibility,” e-flux (2017)
Film program for class:
Additional films we may watch selections of:
~~~~~~~
We will look at these books together in class:
Renee Gladman, Prose Architectures (Wave Books: 2017), One Long Black Sentence (Image Text Ithaca: 2020), Plans for Sentences (Wave Books: 2022)
Kameelah Janan Rasheed, No New Theories (Printed Matter: 2019)
Feel free to bring or suggest others!
Additional Gladman:
Wu Tsang, Sustained Glass (2019)
Additional:
Shatema Threadcraft, The Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford: 2025)
Sandra Ruiz, Left Turns in Brown Study (Duke University Press: 2024)
Films:
Renee Gladman, The Ravickians (Dorothy: 2011)
Renee Gladman, Ana Patova Crosses a Bridge (Dorothy: 2013)
Fred Moten and Wu Tsang, “Who Touched Me?” (If I Can’t Dance, I Don’t Want to Be Part of Your Revolution: 2016)
Evie Shockley, “On Seeing and Reading the ‘Nothing’: Poetry and Blackness Visualized,” New Literary History (2019)
Sampada Aranke, “Material Matters: Black Radical Aesthetics and the Limits of Visibility,” e-flux (2017)
Film program for class:
- Fainting Spells (Sky Hopinka, 2018), 11 min
- Chronicles of a Lying Spirit (by Kelly Gabron) (Cauleen Smith, 1992), 6 min
- We hold where study (Wu Tsang, 2019), 19 min
- An Ecstatic Experience (Ja’Tovia Gary, 2015), 6 min
Additional films we may watch selections of:
- Shopping Bag Spirits and Freeway Fetishes (Barbara McCullough, 1979)
- Mi aporte (Sara Gómez, 1972)
- Die Umschulung (Harun Farocki, 1994)
- Love is the Message, The Message is Death (Arthur Jafa, 2013)
~~~~~~~
We will look at these books together in class:
Renee Gladman, Prose Architectures (Wave Books: 2017), One Long Black Sentence (Image Text Ithaca: 2020), Plans for Sentences (Wave Books: 2022)
Kameelah Janan Rasheed, No New Theories (Printed Matter: 2019)
Feel free to bring or suggest others!
Additional Gladman:
- Haus Red vol. 2 (2019) -- a companion compiliation focused on The Ravickians
- “Renee Gladman in Conversation with Fred Moten,” Paula Cooper Gallery
- “Renee Gladman in Conversation with Miri Karraker,” Poetry Project (2022)
-
Zoë Hopkins, “Renee Gladman: Narratives of Magnitude,” Brooklyn Rail (2023)
- John Vincler, “Dwelling Places: On Renee Gladman’s Turn to Drawing” The Paris Review (2019)
Shatema Threadcraft, The Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford: 2025)
Sandra Ruiz, Left Turns in Brown Study (Duke University Press: 2024)
Films:
- Cauleen Smith, dir. Sojourner (2018)
- Wu Tsang, dir. We Hold Where Study (2017)
- Sara Gómez, dir. Mi Aporte (1969)
- Steffani Jemison videos
- Harun Farocki, Die Umschulung (1994)
- Nicolas Philibert, Être et Avoir (2002)